Thursday, February 23, 2017


Bought som more storage SD cards for the BMPCC bodies. The cards need to be super fast to keep up with the RAW data pouring in to them. The card that is recommended is the 64GB Extreme PRO SD SDXC Card 95MB/s Class 10. Last month I picked up 3 refurbished versions of these cards for $20 USD a piece plus shipping. After testing the cards in my cameras I found they were NOT dropping frames so today I bought another 4.

I now have 11 of these cards, 4 I got from the seller of my cameras off eBay, and 7 are these refurbished babies (guaranteed to be as good as new).

I was thinking of buying the 128GB version in fact I bought one online but the seller disappeared without sending me the card. I appealed to eBay who refunded my $41 USD (too good a deal to be true and it was). I rechecked the prices for the 129GB cards tonight and found them quite high. I am also not sure if the 128GB cards work in the BMPCC. Decided to play it safe and buy the smaller sized 64GB versions.

64GB is quite small for the amount of info I am recording. I will need to change cards quite often. If you are shooting RAW, I think each card will only old 20-25 minutes of footage. With 11 cards I should have enough storage space to record 3 hours and 40 minutes per day.

Hmm wonder if I should buy a few more cards?

Here is the eBay pricing for different versions of this SD card (I paid $20 USD each for my refurbished type cards)

NEW 95MB/S 64GB SanDisk Extreme Pro SDXC Class 10 - $40.80 USD free shipping
NEW 95MB/S 128GB SanDisk Extreme Pro SDXC Class 10 - $66.55 USD plus $2.29 shipping

Update: Bought another 5 cards. Thought I needed them just in case they break down, in case I lose them, in case I need them for a long days shooting, etc. I now have 16 cards, which is enough storage space to do 5 hours 20 minutes+ of video a day. Do not plan on doing that much recording but it is better to have backups to my backups than to be stranded and pissed off in Mae Sot trying to buy SD cards (very limited stores). I would also hate to have an important shooting day cut short because I ran out of storage space. I have run out of still film before and that always hurts! There will be times I plan on spending the night in the dump filming. When I am there all night I want to make sure I can film at will.

I will now shoot at ease, trying to get the good and important video I need for the movie. I still have to becareful I do not overshoot and be selective. Everything I shoot will have to eventually be stored on hard drives for later editing.  I can only buy so many 4TB hard drives for storage! 

Note* If I shoot in ProRes HQ instead of RAW I can store much more footage on a 64GB card, I think it is 40 minutes plus. Not sure of the exact numbers, depends on frame rates etc ...24 per second 30? Am still learning. Having too many cards is certainly better than not having enough! 16 should do me nicely.

My Tokina 12-24mm F4 Lens Has Arrived

I got my 12-24mm Tokina F4 lens from Japan today, there was no extra charges. Tonight at work I have the lens on my BMPCC body. The f-stop feature works flawlessly with the electronics of the Metabones EF Speedbooster. The angle of view 12mm-24 (about a 20.4mm-40.8mm on the camera) is quite wonderful. With the speedbooster the lens is effectively a f2.6 not fast but not bad. I really like the range of the zoom. I believe I will use this lens for 80% of my shooting. At the widest focal length of 20.4 there is little noticeable distortion, much less so than the earlier tested Rokinon 7.5mm (22.5mm equivalent).

Finally I can pay for everything and not buy any more major film making gear. It is time to start saving for the trip. My training to become a film maker continues on a nightly basis. Things are going pretty well as planned. We are on a positive roll towards the creation of the movie.

My "1296P Mini Camera Wearable Body Video Police DVR 140" Has Arrived

Got my new compact body cam today. This is not a hidden camera but more of a wearable body camera with an obvious lens. I was thinking of using it to record my daily activity in the dump and other PUBLIC places, to give a more personal up close viewpoint for the blogs. This unit is easier to wear than the go pro option. Hopefully it will help humanize my subjects that much more, furthering education and a continue raising awareness.

In the sample video I am hand holding it, in real time use in Asia, I would place it in a pocket and forget about it for the day. The recording time I believe is up to 4 hours on a 32GB mini SD card.

The body camera used for this video
Note* This video was made on Adobe Premiere (still need to learn so much there!).
Video Sample Clip On My Photo Blog

Video: Invasion Of The Body Snatchers!

Here is a bit of fun, just practicing using Adobe Audit and Davinci Resolve. All practice is good practice even when it is goofy like this.

I got to learn:
- shooting the BMPCC with Rokinon 7.5mm
- using the monopod/Came-TV Stabilizer combo
- creating a scream in Adobe Audition
- finding the right audio format to work with Davinci (AIF)
- editing a short sequence in Davinci, trimming,color grading, mask, sharpness, slow mo,  contrast
- muting the camera sound track and syncing a separately recorded scream
- delivering/rending a large quality file
- reducing and creating a smaller file in .MKV format to upload on the blog

Check out the end of the "Invasion of the Body Snatchers Clip" first. I am doing Donald at the end sort of :)) (forgot the hand gesture!).
"Invasions of the Body Snatchers" Ending Clip
Video  Sample: Gerry's Scream On My Photo Blog

Crane Monopod Cam!!

Played around today with the crane-mono pod camera thingy I plan to use in the dump. The best set up I found so far is as follows.

BMPCC---> Rokinon 7.5mm Fisheye Lens--> Manfrotto Aluminum Mono Pod--> Came-TV Optimus Gimbal With Remote Control

I also tried the 24mm F1.4 lens but it is not wide enough and too heavy to hold up. My larger Chinese made carbon fiber tripod was also tried but it seems to be a bit more shaky (too flexible?) when fully extended (a bit longer also). Check the earlier blog video for the results of the test.

Improvements? Will try out the 12-24mm Tokina F4 lens (maybe less distortion) and will try to slow down the pan left to right speed when I am using the remote control. I believe there is a way to access panning speed in the Came TV gimbal software (another thing to learn, accessing the software). I think it will allow for a slightly smoother pan as well. That is what I want a smooth/high/wide angle/slow pan over the dump and the workers.

Update* Did some research on adjusting the Came TV gimbal using the software. It all seems dodgy and highly screwupable (my word). I think I will make do with the current setting and leave it alone, last thing I want to do is break my new $1000+ USD toy.

Video: My Rokinon 7.5mm Micro 4/3 Lens Has Arrived

I got my Rokinon lens delivered today without extra charges. The lens is a fish eye designed for micro 4/3 cameras like my video BMPCCs. The lens gives an equivalent 22mm view angle when mounted on the BMPCC body. I quite like the look, there is a bit of distortion but it is sort of a funky cool looking aspect to the lens. When you have it mounted to the BMPCC without any accessories (rig cage etc.) the whole thing is super light. I did some testing of it today mounted to the camera and the Came-TV gimbal. I then attached everything to my aluminum Manfrotto monopod and raised everything up to try a improvised crane scan. See video. It all worked out rather well with a few hitches but I think this set up will work in the dump to give a wider viewer of the environment and the action.

Update* I think this is the first little film thing I have done in Blackmagic's Davinci Resolve.
Update**  One thing I forgot to mention is that if you set this thing on infinity your basically always in focus. A 7.5mm fisheye lens has amazing depth of field. You got to love that! It is a huge bonus when the camera is mounted on a stabilizing gimbal that cannot be touched without ruining the shot. It also will work well in low light (difficult to focus) shots and crane-monopod sequences like in the video for this blog. AM VERY HAPPY I BOUGHT THIS CHEAP BUT HIGHLY USEFUL LENS! It promises to be a useful moving making tool.
 Rokinon Lens Video Sample Link On My Photo Blog

My Came-TV Optimus Gimbal Has Arrived

Got my Came-Tv gimbal today, cost only an additional $19. The device works great thou it is taking me some time getting used to using it, figuring out how to first balance it then shoot with it. I quite like it so far especially the 2 handed version. In combination with my 24mm Canon lens, Metabones Speedbooster and BMCPP the weight is minimal. I can easily carry it with one or two hands. I am eager to try out the 11-16mm Tokina lens I have in the mail from Japan. That lens will give me a wider angle of view as will the small and very light 7.5mm Rokinon I have coming up from the States. I will probably use those 2 lens much more with the Came-TV stabilizer.

So far so good with this unit, I think it will be especially good for low angle following children through the dump shots and high angle views off a raised mono pod. Here is hoping it is a valuable addition to this film. Now I just got to figure out how to tell a story in film! I own lots of toy now but have little in the way of story telling ability!

Update* The one problem I had with the unit was the rather rinky dink mount for the remote control. It was all plastic and cheap and came apart a few hours after I first got things set up. I instead attached the remote using an elastic band on the left handle of my 2 handle rig. I find it is much better to use in that position as I do not have to reach down for the remote which destabilizes the entire rig. I can instead simply move my thumb a few millimetres which gives me full access to the remote and pan up-down, left-right motorized camera movements.